Goldberg, David Theo and Stefka Hristova. «Blue Velvet: Re-dressing New Orleans in Katrina’s Wake» Vectors 3.1 (2007) <http://vectors.usc.edu/projects/index.php?project=82>
Blue Velvet is a linear article arguing that the disaster in New Orleans during hurricane Katrina was a socially produce one, as the affected area was designated for poor black people and had been neglected for over a century, a development made even worse by neoliberalism and the Iraq war. Les videre
Offenhuber, Dietmar. «Wegzeit: The geometry of relative distance». Vectors 1.2 (2006) <http://vectors.usc.edu/projects/index.php?project=64>
Regular maps show objective distances and spatial relations. But we also experience spaces in relative measures, such as the time it will take you to get somewhere. «Wegzeit» is a short presentation of six different experimental maps of Los Angeles. Les videre
Hastie, Amelie (curator). «Objects of Media Studies». Vectors 2.1 (2006). <http://vectors.usc.edu/projects/index.php?project=65> 28 July, 2014.
This is a curated collection of texts by eight writers exploring the materiality of one object each. The nodes can be read in three ways: By author, by curator’s narrative, or free browsing. Les videre
Daniel, Sharon. «Public Secrets». Vectors 2.2 (2007). <http://vectors.usc.edu/projects/index.php?project=57>
«Public Secrets» is a collection (what Manovich would call a ‘database’) of bits of sound recordings of interviews with inmates in a California women’s prison. The bits are linked together by various means, but the main listening experience is one of random browsing, assembling a mosaique out of sound bites ranging from 45 seconds to 3 minutes. The piece was recognized as an Official Honoree in the Activism category by the 11th Webby awards. Les videre
Chun, Wendy Hui Kyong. «Programmed Visions». Vectors 3.1 (2007). < http://vectors.usc.edu/issues/5/programmedvisions/> 17 February, 2014.
Wendy Hui Kyong Chun has created an archive of text fragments on racism. Rather than a scholarly article, this is an exhibition, but not a very curated one. Text fragments are precented to the user at random, with so few interface elements it is very difficult to read. Vectors’ editor claim that «In the interplay between «form» and «content,» we are meant to understand that our desires to standardize the world and make it interoperable are not innocent.» (Introduction). Unfortunately for me, I am not smart enough to understand this. I spent two frustrating hours with this text to fulfil my duties for this research project, and I wonder if anyone else except the authors and editor has ever read more of it. Below is an account of my reading experience. Les videre
Todd Presner. «Hypermedia Berlin: Cultural History in the Age of New Media, or ‘Is There a Text in This Class?’«. Vectors 1.2 (2006) < http://vectors.usc.edu/projects/index.php?project=60>. Visited 7 January 2014.
This work is a 15-minute Flash demo of the interactive map Hypermedia Berlin, which brings together 25 maps of Berlin dating from 1237 to 2003. Hotspots in the map link to short texts and photographs of prominent places and people in the city’s history.
In the film presentation, the cursor of a user clicks controls on the interactive map and changes what is displayed, while text boxes appear on top explaining what is happening. It is rather slow paced, but effective still, as the reader/viewer can study the part of the map shown for a little while before the explanatory text appears. The same effect could have been achieved with a voice-over narration, but a long essay with inset illustrations would have been much less effective.
Rebecca Jean Emigh published «The Unmaking of Markets» in Vectors 1.1 (2005), where she develops two new kinds of visual arguments: Composites and simulations. Les videre